Projection at architectural scale.
Courtney Ware and Lightware Labs used AI-generated visuals to animate the Dallas Contemporary wall as a continuous moving environment.
A Dallas Contemporary museum exhibition where AI-generated projection, voice, instrumental sound, and local poetry turned environmental justice into a room-scale act of attention.
What happens when environmental grief becomes architectural? The Endangered uses a museum wall as a living image surface, placing local poetry, Sarah Kirkland Snider's Mass for the Endangered, Edie Hill's Spectral Spirits, and AI-generated projection inside one shared space.
The question is not whether technology can make nature look spectacular. It is whether image, voice, and scale can make people feel responsible to the living systems around them.
Courtney Ware and Lightware Labs used AI-generated visuals to animate the Dallas Contemporary wall as a continuous moving environment.
The work centers threatened or extinct animals tied to the region, including the Greasewood Moth, Eskimo Curlew, Passenger Pigeon, Whooping Crane, and Black-capped Vireo.
The experience asks the audience to listen to non-human life as a civic responsibility, not an abstract environmental theme.
The Endangered frames Sarah Kirkland Snider's Mass for the Endangered with Edie Hill's Spectral Spirits and three commissioned world premieres. Live music, poetry, and AI-generated projection are braided into a single museum environment.
Recipient of the National Endowment for the Arts.